The BACH C180 Trumpet is the result of the exceptional legacy of Vincent Bach, who began manufacturing trumpet mouthpieces in New York in 1918. The first Bach trumpets were built in the 1920s, marking the start of a tradition of excellence. Over the years, Bach has perfected its instruments, changing factories several times to meet the growing demand.
The shape of the leadpipes in the BACH C180 Trumpet plays a crucial role in the instrument's sound. Conical leadpipes produce a bright sound, while less conical leadpipes offer a warmer and softer tone. The available leadpipe options include the standard (25C), the 25H (similar to the 25C), the 25A (longer), the 25S (longer for Bb), and the 25R (reversed, longer, and more resonant in the high registers). There is also another series of slightly different leadpipes (7C, 7R, 6R, 43C, 43R, 44C, 44R).
The BACH C180 Trumpet is made in the USA and features a large bore of 0.462 inches (11.74 mm) type 25C, providing remarkable response and sound projection. Its 4 13/16 inches (122 mm) type 239 bell contributes to its distinctive sound character.
Among the advantages of the BACH C180 Trumpet is the superb characteristic sound of Bach trumpets. This instrument is perfectly suited for orchestral playing, offering exceptional sound projection, balanced sound development, and remarkable amplitude.
However, some points need attention. The playing resistance may be present, possibly too much, making the instrument less suitable for less advanced musicians. Some musicians might also find less playing pleasure compared to competing trumpets known for their ease of play. Additionally, while the case is aesthetically beautiful, it may lack practicality. Lastly, the lacquer finish can be fragile, requiring special care to maintain its aesthetic appearance.
The BACH C180 embodies the sonic excellence of Bach trumpets and is a perfect choice for orchestral musicians seeking exceptional projection, development, and sound amplitude. However, it is important to consider the aspects related to playing resistance, playing pleasure, case practicality, and finish fragility when evaluating this instrument.